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Review" Burning Man "(" Man On Fire "USA - England 2004 )

Synopsis: Denzel Washington plays a government agent, a soldier of fortune disenchanted with life in general. In Mexico City, he reluctantly accepts a job to protect a girl (Dakota Fanning) whose parents have been threatened with kidnapping. His relationship with his little protected will grow and awaken in him a lost soul. But when she is kidnapped, his anger will be unleashed against those responsible.
The year was 1980 when the producer Arnon Milchan decided to buy the rights for the film adaptation of the novel by AJ Quinnell, entitled "Man On Fire." It was a story of revenge set in Italy, in the context of his time mobster, but the screenwriter Brian Helgeland refused to consider thereby moving it to the big screen, as the situation seemed quite seen something already in the current film world. Along with Director Tony Scott decided, however, the mood this film adaptation to the harsh context of these years kidnappings plaguing the city of Mexico City, which has much to his dismay one of the highest rates in the world with this problem.

That said, good old Tony Scott decided to move its entire crew to that city to give us one of the (for me) best revenge movies I've had the opportunity to see in recent years. A story that gives us a bit of everything. Friendship, revenge, corruption and redemption, among other things.

The story begins by recounting the life of John W. Creasy (played by an extraordinary Denzel Washington), a former American soldier dubious past, as today it has really wretched. Not only the feelings of guilt over things done in his last years haunt him to unimagined heights, but literally any of your friends can take their existing dark thoughts, much less the growing and disturbing addiction to alcohol. Just a girl (Dakota Fanning) can provide some peace to his current life as the parents of the same be hired as a bodyguard for her, because it has received in recent times serious threats of kidnapping. But everything will be back to square one when a group of criminals kidnap Lupita Ramos, unleashing a spiral of violence rarely seen.

As I said above, the script of this tremendous peliculón was handled by the experienced Brian Helgeland ("Murderers," "Revenge", "Mystic River" and the latest "Green Zone" by Paul Greengrass), who had the ability to separate extreme (literally) the film in two parts rather contrasting each other. On the one hand, we have a first stage (approximately 50 minutes) where tells us a fantastic relationship between a girl willing to have friends and restore joy to live the character of Denzel Washington and on the other hand we have a second half where all the action is directed toward the service of revenge and research because some twists and secrets will be revealed to writers as naturally as interesting for the viewer. No more talks, no scenes that one can interpret as unnecessary, or anything that disrupts a script very well suited for an inspired (in this case) Brian Helgeland.

Tony Scott was in charge behind the scenes to tell this great story of love and revenge. The same came to make great films in previous years, such as "The Fanatic", "Red Tide" and "Spy Game", among others. However, what Scott did in the narrative and technical armed "Burning Man" is, was and will be practically insurmountable. With an enviable camera handling (although I understand that many hate him), Scott does a remarkable job at the plans that choose to display on screen, as well as a great parallel assembly system, which allows you to display, for example, images in the beginning of the tape that actually correspond to the end of the footage (in a very subtle, of course).

Moreover, it has been a superb handling in all respects, focusing very well in telling a very intelligent account of the central characters, which will then give you total and absolute credibility to the tremendous display of action and revenge that will film in second part of the footage. In conclusion, an excellent handling of a Tony Scott that for those years was, without doubt, at his best film.

And to be finishing the review of this great band, we can not under any point of view to miss the tremendous performances of all the leading cast of the film. Dakota Fanning and Denzel Washington give performances to remember (Dakota came to work in this awesome movie entitled "I Am Sam") and give a true film class during the first fifty minutes of how to interact on-screen in the most believable and natural as possible. There is no way that the viewer does not sympathize with both characters, since they are so well told and acted out the truth are worthy of all praise possible.

In short, "Man on Fire" is an action movie that goes beyond the action itself. "Burning Man" is a story of friendship, redemption and government corruption so very well told, that little or nothing I can add these lines to a tape that literally speaks for itself.

Movie Rating: Excellent. Read

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Critique of "Agora" ("Agora" Spain - 2009)

Synopsis: Siglo IV. Egypt is under the dominion of the Roman Empire. The violent religious riots in the streets of Alexandria reached its legendary library. Trapped within its walls, the brilliant astronomer Hypatia fight to save the wisdom of the ancient world, without realizing that his young slave, Davo, is torn between the love he professed in secret and freedom that could achieve by joining the unstoppable rise of Christians. Relate
film format history of mathematics and astronomer Hypatia was something that was not at all simple. Much is known about his death and its consequences for the rise of Christianity, but little has been what has been documented for their outstanding work. Bright and intelligent than most, Hypatia was seeking answers through philosophy and astronomy themes that tormented her as a young woman, such as the distance from the sun and the alignment of the planets, among other things.

English director Alejandro Amenabar (owner of a separate gems in the film as "Tesis", "The Others" and "Mar Adentro") decided give your career the most ambitious project to remember the English cinema, with a story never before told and owner of a hearty budget of 50 million euros, shot in English and Western actors.

Three years of research in books of history and astronomy were the ones who had to spend Alejandro Amenabar and Mateo Gil (writer of this very good band) to perform the Agora script, which tells of impeccable manner Alexandria in the fourth century point where the rise of Christianity threatened the terrible way the Egyptian world and all its beliefs. The libretto of "Agora" focuses all their guns in defense must be exercised in the legendary Library of Alexandria, when it itself is threatened by religious riots as Christianity grows exponentially and very dim view of all those who in some way directly related to philosophy and astronomy, and the same is very clear in Amenábar the tremendous film.

Science and religion have never been too good to say, which unfortunately is a problem that exists in our times, and that throughout history human life has become unnecessary. And within those lives, the development here gives the character of Hypatia is frankly sensational. Well developed to Throughout the film, the script focuses almost all its efforts to show more details about its efforts, intelligence and achievements throughout his life. A girl who gave up almost everything that would be a normal life (love, among other things), in pursuit of his one true passion, and that's something we were very clear Amenabar and Mateo Gil at the time of adaptation of his life to the big screen. If the job

screenwriter Amenabar has been fairly good, we must also say that their work behind the scenes has not run for anything before. Very well in handling the cameras, especially with many panoramic shots carriers of the religious riots, Amenábar shows great time management quality narrative through images. Combining them with the correct soundtrack and an impeccable work in photography and costumes, the director of the film ends up giving us a seamless work in any of these technical areas. Paragraph

deserves the memorable performance by Rachel Weisz in the role of Hypatia. He knew that his character was the backbone of the film and that it depended much interest that the public may or may not feel the tape.

Amenábar was aware of that and gave her character development very detailed and interesting than Rachel Weisz understood itself to perfection. A luxury actress (Oscar winner for the spectacular film "The Constant Gardener") gives us here another example of his tremendous ductility acting with gestures very natural and very credible in the eyes of the beholder.

Ultimately, "Agora" is a highly recommended film, frankly. On one hand, tells a story ever brought to the big screen, which in my view provides a good additional value, but mostly by the seriousness with which it has. On the other hand, and from a strictly cinematic point of view, we are witnessing a very interesting epic drama is a qualitative leap in the ambitious career of this very well known English director Alejandro Amenabar.

Movie Rating: Very Good. Read

Agora Review in Muchocine.net

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Critique of "Edge of Darkness" ("Edge of Darkness" USA - England 2010) Critical

Synopsis: Thomas Craven is a man driven by grief and seeking the truth after his only daughter, Emma, \u200b\u200bhas died of a bullet that police believed was intended against him. Devastated by the unexpected death of his daughter, the veteran Boston police inspector searches for answers and will meet with anyone or anything that gets in their way.
Ah, yes. Revenge movies. Films that all kind of research that to satisfy the pain of his characters, who in search of truth become real killing machines so to bring us to the bloody and terrible reality, and by the way, can entertain for about two hours in our seats. Not that this kind of films I like, no. This type of films I love! I must admit, we're going to do.

And so were my life through different film tapes of this kind that are within my favorites. Just to name a few, should highlight the undisputed jewel of the movie meant to me the film "Burning Man" ("Man On Fire") which in addition to technical and performing an item impecabale was a film header (at least for me) on how to tell a relationship between two of its main characters (we're talking about two monsters of performance as Denzel Washington and Dakota Fanning). Proceeds from that and as mentioned in the preceding paragraph, "Man on Fire" proved to be a spectacular film, where Tony Scott showed us all his quality as a director, though in truth is a filmmaker who unfortunately offering ends, too my regret, in dropper.

and to enter into the new film from Mel Gibson always recognized, we must clarify a couple of key points. First and foremost for my taste. The film ends up being entertaining but with a serious fault. Could and should have been much better than it ultimately ended up being.

Second and no less important. If everyone thought that Mel Gibson's performance lifted the film into something more than just a revenge movie, then I must say it will be totally disappointed as I've been sitting comfortably in my chair. The screenplay was handled by two writers. William Monahan ("Body of Lies", "Kingdom of Heaven" and "The Departed") and Andrew Bovell. In "Edge of Darkness" the script has so many virtues and defects, which in my view are intertwined in a way that has not allowed the film to solidify as a film product seamlessly.

On the one hand, we have a not so well-told tale of revenge at the hands of Mel Gibson, who will track after track trying to decipher a complicated plot that will take you to the limits of the imagined, and on the other hand, the same conspiracy the writers inserted into the script for the film give it another go, end up being interesting for the film, but I see not too well resolved. In short, "Edge of Darkness" has a script with many ups and downs, as almost the entire film. In many instances and loosens up enough in others.

The person responsible for saving almost total wreck tape has a name. Mr. Martin Campbell (director of the impeccable "Casino Royale" and the phenomenal "Vertical Limit"), provides several points of action that pay for themselves the viewing of the film. A melee fight, shoot very well resolved and some other car chases high quality, give the film the flight needed to make at least an entertaining film product. Well by Martin Campbell in this case, at least in the technical areas of the film.

who fails in this film, and enough with his performance, is Mr. Mel Gibson. If I had to say, almost without hesitation, that Gibson is working here with the autopilot, I think that would be telling the truth. Those who see the film, I will feel the same feeling I had I to see her perform. Mel never felt comfortable with his role, and most of his interventions are felt really forced. Quite the opposite can be said of Ray Winstone, who with his charisma saves a lot of scenes from the film, and who has undoubtedly been by far the best acting cast of the film. Hard

definitely recommend this tape. It's entertaining and one can no doubt (I've done it) hang out with his vision, but at the same time we must recognize it has a few flaws of plot and acting that have made this proposal is too simple and spend. A pity, because there were material to achieve something much more elaborate in every way.

Movie Rating: Good. Read

Critical Edge of Darkness in Muchocine.net

I Walked In On My Sister Mastrabating

Kano - Kano and The Bulldogs (Uruguay) (1969)

Beat Great group of Uruguay. Recently I posted one of the discs Bulldogs where they sang in English, here sung in English. My favorite song is "I'm coming home" a song with great energy. Hope you like it like me, see you soon!

Great Beat band from Uruguay. I recently posted one of the albums of The Bulldogs Where They sang in Inglés, here They sang in English. My favorite song is "I'm coming home" a song with great energy. I hope you'll like it like me, see you soon!

Link: Kano and The Bulldogs - Kano and The Bulldogs (Uruguay) (1969)

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"Rec 2" ("Rec 2" Spain 2009 )

Synopsis: It's been a few minutes after the authorities lost contact with people locked in the building in quarantine REC . Nobody knows exactly what happens inside. Outside Queen chaos Geos ... A unit enters the property to control the situation and determine what is happening. A seemingly quick and easy task. But you know ... sometimes appearances are deceiving.
The use of handheld camera is a technique that has revolutionized the film world in recent times. This technique, in my view, it has unfortunately divided the waters between love and hate almost equally. There are many spectators, among whom I include myself, we believe that this is a very valid application if it is well used, it can give some really spectacular (as long as their use is not too repetitive to cause a distaste unbearable in the viewer). Another portion of the people, however, prefer flat without too much longer and shivering, so no doubt end up escaping any Michael Bay film and Co.

Perhaps Paul Greengrass has created a new way to manage and frantically moving the camera dramatically. His movies are a luxury in the technical, as I found with the second and third installment of the Bourne saga and many other recommended films such as "Flight 93" and "Bloody Sunday."

But go deeper into the film comment on the blog today, English directors Jaume Balagueró and Paco Plaza, gave us back in 2007, a damn good thriller and horror entitled "Rec", which recounted the hardships they had to pass a reporter for a television show on his tour the night, when she and her cameraman were locked with a small complement of firefighters in a building that bore a strange infection that made all living in a zombie every minute possible. With a narrative rather than correct, a very good technical section and an incredibly well-run thriller in its last 20 minutes, "Rec" became an entire box office success, which undoubtedly deserved worthy then you just get the hand of those directors of the original tape, but highly recommended some changes that make this sequel is to my mind infinitely superior to the original tape.

"Rec 2", runs a temporary space of fifteen minutes apart between the end of the original delivery and the beginning of this sequel. Here, a panel of Geos (with cameras on their helmets to be an excuse to record the entire tape) will enter the building in question accompanied by a health expert, for which in principle will be a routine mission in search of survivors. But this quest soon will become a nightmare when the command group encounter unexpected problems of any kind.

In "Rec 2" have, contrary to what had always imagined, substantial differences from the original tape. I'm not talking about the technical system of filming, no. In that sense the movie is filmed in the same manner that has been made in "Rec." However, it is a tremendous turnaround story that the script offers compared to its predecessor. May very well fall into some viewers, and perhaps less so in others, because what Balagueró and Plaza as proposed here opens many new avenues then, but none like or similar to what is showed that tape in 2007.

What does show in this film is a narrative with a good pulse and rhythm really spectacular (the hour and twenty-long help, and many), since different dialogues and situations are really very interesting film to follow. This also allows "Rec 2" is a highly recommendable film from beginning to end, as the various objections that one may have about this movie are completely missing when taking into account the real suspense is generated in many scenes of the film.

This suspense is provided largely by how well he manages here the use of a handheld camera. Scenes infighting, blood scattered absolutely everywhere, falling down stairs, shotgun wildly, and everything that any fan of this type of film can be expected. It is also worth to note that although the use of hand-held camera makes the same absolutely moving in all directions at all times, Balagueró and Plaza decided to show the most terrifying scenes and bloody with some extreme close-ups. In short, a very good direction for a more than worthy sequel film.

There is not much to add, at least on my part. Just say I spent a very pleasant viewing this perfect sequel it deserved such good original delivery which meant "Rec" back in 2007. Exceeded in all technical areas and narrative, "Rec 2" is a filmed entertainment guaranteed to all followers of such tapes.

Movie Rating: Very Good.

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