Synopsis: Tells the story of three people tormented by the death in different ways. George (Matt Damon) is an American worker who has a special connection to the afterlife. Across the world, Marie (Cecile de France), a French journalist, has a near-death experience that shakes your reality. And when Marcus (George McLaren and McLaren Frankie), a student in London, the person loses closest to him, desperately need answers. While everyone on a road in search of truth, their lives will cross, forever changed by what they believe can, or should, exist in the afterlife. The legendary Clint Eastwood, now in its 80-year-old film continues in full swing, and after presenting an excellent film about some of the extraordinary life of Nelson Mandela, now returns to the fray with another highly recommended film this time focusing on a dramatic plot with supernatural touches, which mark a new challenge never before seen in the career of this extraordinary filmmaker.
"Beyond Life is a dramatic story with some supernatural aspects whose main premise lies in the relentless pursuit of our players on the questions regarding life after death. That's why, under different circumstances, histories of the three main characters of the film will be joining in an irremediable way to the end of it, but not the way Alejandro Gonzalez Inarritu used in most of his films.
Peter Morgan was in charge of the script of "Beyond Life." Morgan is a very interesting playwright who has to his credit with several scripts highly recommended, the most notable being those of "Frost / Nixon: Interview of the Scandal "and the libretto of" The Last King of Scotland. "
the latter, Morgan gave a very interesting script, which can be criticized only the fact of being a bit repetitive at times, which makes the film unnecessarily stretch the length almost two hours nine minutes of film for a story that ultimately would have needed far less in this regard. Nothing can be criticized
the great Clint Eastwood in his work behind the scenes. Right from the beginning, Eastwood delights us with a great sequence of a Tsunami actually filmed to perfection, with a frankly sensational coverage levels and camera handling extremely enviable.
Undoubtedly, a scene that practically pays viewing the film almost entirely. Beyond the latter, Eastwood narrates the film in a highly accurate, except for the fact that, in my view, it takes too long to resolve the story, falling in two wells narrative make the film decays at some points and stretching the length of the way a bit unnecessary.
Moreover itself is remarkable, the way Clint Eastwood handles different situations with total mastery of the plot, and even excited about the odd scene towards the end of the film (like the characters shared by Matt Damon and George McLaren) as only he can.
deserve the actions of the tape. Matt Damon gives a perfect performance in a role frankly very difficult to bring to fruition for any actor, as its protagonist tends to be a very introverted boy due to a gift that has (that of being a psychic), but he considers it a curse to prevent lead a normal life in any way.
Matt Damon not only provide here a brilliant performance throughout the film, but is accompanied by an extraordinary way always effective Cécile de France (yes, the same as "High Tension") and especially by some tremendous players Frankie and George Mclaren, in its first foray into international cinema.
to be closing, and more than a few moments where the film is guilty of some redundancy narrative, the sudden incursion of great Clint Eastwood in a frame with supernatural touches will be very comforting for those viewers who decide to venture into the viewing of their final film. Film of the good, as always, is signed by the great Clint Eastwood.
Movie Rating: Very Good. Read
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